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East Country Yard Show
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East Country Yard Show : ウィキペディア英語版
East Country Yard Show

''East Country Yard Show'' was an exhibition of contemporary art organized by Henry Bond and Sarah Lucas. It was on view between 31 May—22 June 1990.〔V&A Museum (Item: O63953 )〕 The exhibition was a "seminal"〔("Anya Gallaccio" ), The British Council, retrieved 14 March 10.〕 London group show which was significant in the subsequent development of the Young British Artists.〔Michael Archer, "(Oranges and Lemons and Oranges and Bananas )," In ''Acme Research Bulletin'', April 2001, unpaginated (p. 4 ). I.e., "Taken together these exhibitions did much to establish not only the reputations of that generation of Goldsmiths artists, but also those of their peers and immediate successors."〕
==Location and scale==
The show was presented in a large empty warehouse, the ''East Country Yard'' building, in South Dock, Rotherhithe within the Surrey Commercial Docks complex.〔Michael Archer, "(Oranges and Lemons and Oranges and Bananas )," In ''Acme Research Bulletin'', April 2001, unpaginated (p. 10 ).〕 The docks were closed in 1969, and by 1990 were being redeveloped by a plethora of property development companies. One of them, ''Skillion''—who had purchased several large buildings but had not yet begun to develop them—was approached by Bond.〔Tony White , "East Country Yard Show," Performance, September 1990, p. 60.〕 Reviewing the show in Time Out the art critic David Lillington said, "The East Country Yard is a gigantic complex of old warehouses in which each artist has a 200-foot-long room."〔David Lillington, "The East Country Yard Show," Time Out, 18 June 1990, p. 55.〕 Equally, writing in his book ''Lucky Kunst: The Rise and Fall of Young British Art'', commentator Gregor muir said, "'East Country Yard' in South Dock, Docklands ... featured huge installations by Gary Hume and Anya Gallaccio, and could claim to have taken place in a space four times the size of Saatchi Gallery."〔Gregor Muir, Lucky Kunst: The Rise and Fall of Young British Art (London: Aurum, 2009)p. 32.〕

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